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<h1><a href="/exhibition/theliteratureofprescription/index.html">The Literature of Prescription: The Author's Legacy"</a></h1>
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<h2>Exhibition: <span>The Author's Legacy</span></h2>
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<li><a href="/exhibition/theliteratureofprescription/index.html">Home</a></li>
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<li><a href="/exhibition/theliteratureofprescription/exhibition-index.html" class="on">Exhibition</a>
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<li><a href="/exhibition/theliteratureofprescription/exhibition0.html">Introduction</a></li><li><a href="/exhibition/theliteratureofprescription/exhibition1.html">The Author’s Life</a></li><li><a href="/exhibition/theliteratureofprescription/exhibition2.html">The Woman Question</a></li><li><a href="/exhibition/theliteratureofprescription/exhibition3.html">A Terrifying Tale</a></li><li><a href="/exhibition/theliteratureofprescription/exhibition4.html">Reading “The Yellow Wall-Paper”</a></li><li><a href="/exhibition/theliteratureofprescription/exhibition5.html">The Author's Legacy</a></li>
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<li><a href="/exhibition/theliteratureofprescription/exhibition0.html">Introduction</a></li><li><a href="/exhibition/theliteratureofprescription/exhibition1.html">The Author’s Life</a></li><li><a href="/exhibition/theliteratureofprescription/exhibition2.html">The Woman Question</a></li><li><a href="/exhibition/theliteratureofprescription/exhibition3.html">A Terrifying Tale</a></li><li><a href="/exhibition/theliteratureofprescription/exhibition4.html">Reading “The Yellow Wall-Paper”</a></li><li class="on"><a href="/exhibition/theliteratureofprescription/exhibition5.html">The Author's Legacy</a></li>
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<p>While some 19th-century readers did appreciate the message hidden in “The Yellow Wall-Paper,” the story also resonated with many in the women’s movement of the 1970s. Since their rediscovery of the tale, the text has been republished many times, continuing to enthrall audiences more than a century after it was written.</p>
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<p>Charlotte left a vast legacy of influential writings. In addition to being an important feminist thinker, she was a eugenicist, presenting her views on women and society alongside racist, xenophobic, and ableist ideas in many of her works. Her accomplishments in the sphere of women's rights overshadowed her harmful beliefs until the 21st century. Learn more about eugenics <a href="https://www.genome.gov/about-genomics/fact-sheets/Eugenics-and-Scientific-Racism">here</a>. </br>
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<ul class="slides nojs"><li><div class="photo"><img src="img/OB91.jpg" alt="A woman and man standing on a porch in nice clothes, the woman is smiling."><ul class="controls hasjs"><li><a href="img/OB91.jpg" class="enlarge" data-text="Enlarge Image">Enlarge Image</a></li></ul></div><div><h3><strong>Charlotte and her second husband, George Houghton Gilman, 1909</strong></h3><p class="courtesy">Courtesy Schlesinger Library, Radcliffe Institute, Harvard University</p><p>In the years after the publication of the “The Yellow Wallpaper,” Charlotte Perkins Gilman enjoyed great professional success and personal happiness. In 1900, she wed her cousin, George Houghton Gilman. Charlotte became a well-known writer and was regularly invited to speak on the subject of women’s rights and economic independence.</p></div><div class="alttext"></div></li><li><div class="photo"><img src="img/OB69.jpg" alt="A woman and girl leaning against an embankment and looking off to the right ."><ul class="controls hasjs"><li><a href="img/OB69.jpg" class="enlarge" data-text="Enlarge Image">Enlarge Image</a></li></ul></div><div><h3><strong>Charlotte and her daughter Katharine, ca. 1897</strong></h3><p class="courtesy">Courtesy Schlesinger Library, Radcliffe Institute, Harvard University</p><p>Charlotte raised Katharine for several years as a single mother. When Katharine was nine, she was sent to live with her father, so that Charlotte could focus on her career. Both women struggled with the aftermath of this decision. In later years, the two were able to rebuild their relationship.</p></div><div class="alttext"></div></li><li><div class="photo"><img src="img/OB67.jpg" alt="An older man and woman smiling at each other and sitting on stairs in front of a building."><ul class="controls hasjs"><li><a href="img/OB67.jpg" class="enlarge" data-text="Enlarge Image">Enlarge Image</a></li></ul></div><div><h3><strong>Charlotte and her second husband playacting for the camera, ca. 1920</strong></h3><p class="courtesy">Courtesy Schlesinger Library, Radcliffe Institute, Harvard University</p><p>In 1932, Charlotte was diagnosed with inoperable breast cancer, and the following year her beloved husband George died suddenly from a brain hemorrhage. She moved to California to be near her daughter and grandchildren, and to work on her autobiography. When the disease progressed beyond relief, Charlotte chose to take her own life. On August 17, 1935, at the age of seventy-five, she committed suicide by inhaling chloroform.</p></div><div class="alttext"></div></li><li><div class="photo"><img src="img/OB72.jpg" alt="Cover of a periodical."><ul class="controls hasjs"><li><a href="img/OB72.jpg" class="enlarge" data-text="Enlarge Image">Enlarge Image</a></li><li><a href="popup7.html" class="transcripts" data-text="Read Transcript">Read Transcript</a></li></ul></div><div><h3><strong>The first issue of <em>The Forerunner</em>, 1909</strong></h3><p class="courtesy">Courtesy Library of Congress</p><p>Charlotte published <em>The Forerunner,</em> a monthly magazine of her work, from November 1909 to December 1916. Some pieces reflected her feminist views, as well as her advocacy for eugenics. While Charlotte’s racist, ableist thinking largely went overlooked in the latter half of the 20th century, scholars have recently brought attention to this facet of her career.</p></div><div class="alttext"></div></li>
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<ul class="slides hasjs"><li><div class="photo"><img src="img/OB91.jpg" alt="A woman and man standing on a porch in nice clothes, the woman is smiling."><ul class="controls hasjs"><li><a href="img/OB91.jpg" class="enlarge" data-text="Enlarge Image">Enlarge Image</a></li></ul></div><div><h3><strong>Charlotte and her second husband, George Houghton Gilman, 1909</strong></h3><p class="courtesy">Courtesy Schlesinger Library, Radcliffe Institute, Harvard University</p><p>In the years after the publication of the “The Yellow Wallpaper,” Charlotte Perkins Gilman enjoyed great professional success and personal happiness. In 1900, she wed her cousin, George Houghton Gilman. Charlotte became a well-known writer and was regularly invited to speak on the subject of women’s rights and economic independence.</p></div><div class="alttext"></div><div class="alttext"></div></li><li><div class="photo"><img src="img/OB69.jpg" alt="A woman and girl leaning against an embankment and looking off to the right ."><ul class="controls hasjs"><li><a href="img/OB69.jpg" class="enlarge" data-text="Enlarge Image">Enlarge Image</a></li></ul></div><div><h3><strong>Charlotte and her daughter Katharine, ca. 1897</strong></h3><p class="courtesy">Courtesy Schlesinger Library, Radcliffe Institute, Harvard University</p><p>Charlotte raised Katharine for several years as a single mother. When Katharine was nine, she was sent to live with her father, so that Charlotte could focus on her career. Both women struggled with the aftermath of this decision. In later years, the two were able to rebuild their relationship.</p></div><div class="alttext"></div><div class="alttext"></div></li><li><div class="photo"><img src="img/OB67.jpg" alt="An older man and woman smiling at each other and sitting on stairs in front of a building."><ul class="controls hasjs"><li><a href="img/OB67.jpg" class="enlarge" data-text="Enlarge Image">Enlarge Image</a></li></ul></div><div><h3><strong>Charlotte and her second husband playacting for the camera, ca. 1920</strong></h3><p class="courtesy">Courtesy Schlesinger Library, Radcliffe Institute, Harvard University</p><p>In 1932, Charlotte was diagnosed with inoperable breast cancer, and the following year her beloved husband George died suddenly from a brain hemorrhage. She moved to California to be near her daughter and grandchildren, and to work on her autobiography. When the disease progressed beyond relief, Charlotte chose to take her own life. On August 17, 1935, at the age of seventy-five, she committed suicide by inhaling chloroform.</p></div><div class="alttext"></div><div class="alttext"></div></li><li><div class="photo"><img src="img/OB72.jpg" alt="Cover of a periodical."><ul class="controls hasjs"><li><a href="img/OB72.jpg" class="enlarge" data-text="Enlarge Image">Enlarge Image</a></li><li><a href="popup7.html" class="transcripts" data-text="Read Transcript">Read Transcript</a></li></ul></div><div><h3><strong>The first issue of <em>The Forerunner</em>, 1909</strong></h3><p class="courtesy">Courtesy Library of Congress</p><p>Charlotte published <em>The Forerunner,</em> a monthly magazine of her work, from November 1909 to December 1916. Some pieces reflected her feminist views, as well as her advocacy for eugenics. While Charlotte’s racist, ableist thinking largely went overlooked in the latter half of the 20th century, scholars have recently brought attention to this facet of her career.</p></div><div class="alttext"></div><div class="alttext"></div></li>
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<p>While some 19th-century readers did appreciate the message hidden in “The Yellow Wall-Paper,” the story also resonated with many in the women’s movement of the 1970s. Since their rediscovery of the tale, the text has been republished many times, continuing to enthrall audiences more than a century after it was written.</p>
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<p>Charlotte left a vast legacy of influential writings. In addition to being an important feminist thinker, she was a eugenicist, presenting her views on women and society alongside racist, xenophobic, and ableist ideas in many of her works. Her accomplishments in the sphere of women's rights overshadowed her harmful beliefs until the 21st century. Learn more about eugenics <a href="https://www.genome.gov/about-genomics/fact-sheets/Eugenics-and-Scientific-Racism">here</a>. </br>
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<span class="lastupdated">Last Updated: 25 March 2024</span>
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