{"id":2256,"date":"2013-11-27T11:00:30","date_gmt":"2013-11-27T16:00:30","guid":{"rendered":"http:\/\/circulatingnow.nlm.nih.gov\/?p=2256"},"modified":"2024-12-11T15:39:56","modified_gmt":"2024-12-11T20:39:56","slug":"nlm-visits-the-sackler","status":"publish","type":"post","link":"https:\/\/circulatingnow.nlm.nih.gov\/2013\/11\/27\/nlm-visits-the-sackler\/","title":{"rendered":"NLM Visits the Sackler"},"content":{"rendered":"

By Stephen J. Greenberg
\n<\/i><\/p>\n

Recently, the Arthur M. Sackler Gallery, a unit of the Smithsonian Institution specializing in Asian Art, approached NLM to borrow materials for inclusion in a new, international exhibition about Yoga.\u00a0 Now open, Yoga: The Art of Transformation<\/i><\/a> displays more than 120 works, from the 3rd century to the early 20th century borrowed from 25 museums and private collections in India, Europe, and the United States.<\/p>\n

In the words of Debra Diamond, Associate Curator of South and Southeast Asian Art at the Sackler Gallery:<\/p>\n

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\u201cThe Art of Transformation<\/i> is the first exhibition ever created about the visual history of yoga. Using multiple cultural lenses that engage with the breadth of India’s yogic imagery, the exhibition will include aesthetically powerful and contextually relevant works drawn from Indian, European and American collections.\u00a0 Three-quarters of the works are canonical masterpieces, while one-quarter are popular images (ranging from 19th-century photographs to film posters and anatomical maps).\u00a0 However, while its thematic focus and overarching structural methodology are drawn from visual culture studies, its aesthetic and historical focus on individual works is art historical.<\/p>\n

All over the world, millions of people\u2014including 16 million Americans\u2014practice yoga for health benefits and to find spiritual calm. Practitioners and non-practitioners alike are aware of yoga’s origins in India. But very few know the rich visual history of yoga, which reveals its profound philosophical underpinnings, the social roles yogic practitioners have played, and the significant transformations yoga has undergone as it has become a modern\u2014and global\u2014phenomenon.\u201d<\/p>\n<\/div>\n

The Sackler has borrowed three titles from NLM\u2019s collections, ranging in date from 1799 to the mid 20th century. The first is Narayana Ghamande\u2019s Yogasopana-purvacatushka<\/i><\/a>, \u00a0published in 1951. To once more quote Debra Diamond, this book is \u201ca key transitional text in the history of the representation of the yogic body, and was conceived as a work of art as well as a practical instruction manual.\u201d It\u2019s a small book, modestly printed, whose influence belies its humble appearance.<\/p>\n