{"id":11865,"date":"2017-06-27T11:00:41","date_gmt":"2017-06-27T15:00:41","guid":{"rendered":"http:\/\/circulatingnow.nlm.nih.gov\/?p=11865"},"modified":"2017-10-30T16:38:18","modified_gmt":"2017-10-30T20:38:18","slug":"pop-culture-meets-nlm-historical-collections-harry-potters-world","status":"publish","type":"post","link":"https:\/\/circulatingnow.nlm.nih.gov\/2017\/06\/27\/pop-culture-meets-nlm-historical-collections-harry-potters-world\/","title":{"rendered":"Pop Culture Meets NLM Historical Collections: Harry Potter\u2019s World"},"content":{"rendered":"

By Nicole Orphanides ~<\/em><\/p>\n

\"Drawing<\/a>
Illustration of an owl from National Library of Medicine’s Historiae Animalium<\/em>, 1551, by Konrad Gessner.<\/figcaption><\/figure>\n

In 1997, 10-year-old Harry Potter waved his wand for the first time and filled the minds of readers with magic and adventure. Now, in 2017, the National Library of Medicine\u2019s History of Medicine Division celebrates the 20th anniversary of Harry Potter<\/em>\u2019s publication with a special display complete with rare books from the 15th- and 16th-centuries, a six-banner traveling exhibition, public programming, and a few fun props.<\/p>\n

While the magical realms of the wizarding world exist solely in minds of the readers, Potter mania in the last two decades proves the appeal of this wizarding world series infused with positive values and relatable characters. Widespread and global awareness of the franchise suggests Harry Potter<\/em> will remain news-worthy and a fan favorite into the next generation. Harry Potter<\/em>‘s pop culture status is significant because it gives a diverse audience a shared experience. This community\u2014a body of readers, film goers, students, parents, teachers\u2014is brought together through the epic tale. The books, films, fan created websites, games, merchandise, and theme park confirm the phenomenon’s place within popular culture.<\/p>\n

So what happens when you blend a pop culture phenomenon with\u00a0 historical collections?<\/p>\n

\"Photograph<\/a>
The National Library of Medicine\u2019s Liber de Arte Distillandi de Compositis<\/em>, 1512, by Hieronymus Brunschwig, next to the London, 1997, and New York, 1998, publications of J.K. Rowling\u2019s first book in the Harry Potter<\/em> series.<\/figcaption><\/figure>\n

In 2007, the National Library of Medicine\u2019s Exhibition Program launched its exhibition Do Mandrakes Really Scream? Magic and Medicine in Harry Potter<\/em> and in 2009 revised that exhibition into Harry Potter\u2019s World: Renaissance Science, Magic, and Medicine<\/em><\/a>. The exhibition merges the fictional wizarding series with the History of Medicine Division\u2019s rare books collection to explore how many of the characters, themes, plants, and creatures in Rowling\u2019s stories are based in history, medicine, or magical lore. Now, in 2017, the online exhibition features an updated look and additional content in the exhibition\u2019s new digital gallery<\/a>.<\/p>\n

\"Digital<\/a>
Harry Potter\u2019s World<\/em> digital gallery<\/a> featuring books and illustrations from the National Library of Medicine\u2019s historical collection.<\/figcaption><\/figure>\n

The use of the historical collection to ground the exhibition was careful and intentional. The Harry Potter<\/em> series draws on themes related to Renaissance thinking on topics such as alchemy, astrology, botany, and natural philosophy. The library\u2019s collection of books printed before 1501 (known as incunables) and 16th\u201318th century books include works on these subjects produced by Renaissance philosophers. These books provide valuable insight into the period and how its traditions influenced the development of Western science and medicine.<\/p>\n

Pairing the historical collection with the themes in Harry Potter<\/em> enriches the reader\u2019s experience. On the web, visitors can view the books in our collection as objects of history while exploring thematic connections between the Harry Potter<\/em> novels and Renaissance endeavors in understanding potions, herbs, monsters and medicine. A first-hand look at Hortus Sanitatis, <\/em>1491 shows images of real and imagined plants observed by Renaissance scholars, such as the mandrake. Though best known for describing medical practices, Ambroise Par\u00e9\u2019s 1633 and 1634 works illustrate the fantastic animals in which many natural philosophers of the time believed, such as unicorns and sea creatures.<\/p>\n